Exposición. México: del cuerpo al cosmos

Publicado en América el 26 de Enero, 2006, 10:50 por terraeantiqvae

Centro Cultural Palacio de La Moneda espera medio millón de visitas en 2006 

El recinto, ubicado bajo la Plaza de la Ciudadanía, abre sus puertas al público con "México: Del cuerpo al cosmos", una muestra de arte precolombino; y "Expo Artesanías 2006", con trabajos de las culturas indígenas nacionales. 

Aunque aún hay detalles que pulir en la obra emplazada bajo la Plaza de la Ciudadanía y que cambió el rostro de la fachada sur del Palacio de La Moneda, el optimismo y la expectación recorre a cada uno de los involucrados en uno de los proyectos culturales más importantes del Gobierno de Ricardo Lagos.

El Centro Cultural Palacio de la Moneda está listo para abrir sus puertas y según su coordinadora general, Morgana Rodríguez, por éstas pasarán cerca de medio millón de visitantes durante el año 2006.


Foto: Una figura antropomorfa con máscara de murciélago, de la cultura Zapoteca (950-1521 D.C.) es parte de la muestra "México: Del cuerpo al cosmos". (Foto: C.C. Palacio de La Moneda)


En conversación con Cooperativa.cl, la mujer a cargo del centro no oculta su orgullo y esperanza respecto del futuro del enclave cultural, "espero que funcione todo bien y desde el jueves en adelante comience a hacer historia", señala sobre la inauguración oficial, fechada para el 26 de enero y a la que asistirán los presidentes de Chile y México, Ricardo Lagos y Vicente Fox, respectivamente.

La presencia del mandatario azteca no es casual: la principal muestra con que parte su rodaje el espacio viene de Norteamérica y retrata la vida diaria de los pueblos precolombinos de esa zona, no centrándose en su mitología, sino en la habitualidad de sus existencias.



Foto: Máscara antropomorfa Maya, época Clásico, del 200 al 700 D.C. (Foto: C.C. Palacio de La Moneda) 


Catalogada como la más importante exposición de su tipo que haya pisado suelo chileno, "México: Del cuerpo al cosmos" por sí sola podría llevar al centro cultural alrededor de 300.000 personas.

"Más o menos podemos estimar, según lo que ha pasado en las últimas exposiciones, que a la exposición de México pueden llegar entre 300, 350 mil (visitantes), hasta julio. Y lo otro que podemos decir, más menos durante el año, es que podemos llegar a los 500 mil en total", reveló Rodríguez, publicista y comunicadora social.

Otra luz que destaca en las salas es la "Expo Artesanías 2006", colección de telares, joyas y otros objetos fruto de la obra de maestros descendientes de las culturas indígenas chilenas, agrupados por la Fundación Artesanías de Chile, que preside Luisa Durán de Lagos.

Se trata de productos que por sí mismos dan cuenta de un pasado que se niega a extinguirse, de la mano de artesanos que siguen traspasando sus milenarias técnicas a los más jóvenes, y que además consiguen una retribución económica estable mediante convenios con la fundación, que busca dar a conocer este trabajo en el país y en el resto del mundo.

Una tienda dentro de la muestra -similar a las tres dispuestas en Santiago y a la de Puerto Varas- permite adquirir el trabajo de estos artistas, quienes además se darán tiempo de realizar talleres in situ para los niños que a partir de marzo asistan dentro de los programas de visitas guiadas a colegios.

La "coronación" del centro cívico de la capital   

El Centro Cultural Palacio de la Moneda tiene una proyección en el mediano y largo plazo que resulta difícil de describir a sólo un mes de entregadas las obras a la fundación que opera el recinto.

Sin embargo, Morgana Rodríguez se atreve a considerar la construcción no como una entidad única, sino como parte de un todo que rediseñó el centro de Santiago y en particular el entorno de la sede de Gobierno.



Foto: Un hall de 1.000 metros cuadrados y dos salas de exposiciones de 620 metros cuadrados cada una conforman parte del Centro Cultural Palacio de La Moneda. (Foto: C.C. Palacio de La Moneda)


"Es un espacio que viene a coronar todo lo que se ha generado en torno a La Moneda como circuito cultural, que partió con la apertura de La Moneda, cuando el Presidente (Ricardo) Lagos la abrió para que la gente pasara; la misma Plaza de la Constitución, que se constituye como un espacio que alberga actividades de arte escénico, danza, teatro y música, hasta en el perímetro exposiciones de fotografía", detalló.

No obstante, será necesario un período de rodaje para ver al centro cultural en todo su esplendor, principalmente porque "la orientación está, hoy día, súper adscrita a las artes visuales, de toda índole".

"Desde que está la Cineteca Nacional acá, hasta las dos grandes salas de exposición (Oriente y Poniente), que son las de 620 metros cuadrados cada una que acogen básicamente exposiciones de artes visuales", explicó Rodríguez a Cooperativa.cl.

La coordinadora ahondó en el futuro del emplazamiento, donde "la idea es que en un mediano plazo podamos acondicionar este gran hall, de 1.000 metros cuadrados, acústicamente, para poder acoger algunos espectáculos de artes escénicas, como teatro, danza y música, no música masiva (...) por muy grande que crean que es. El hall de 1.000 metros cuadrados es suficiente como para un concierto de jazz o algo mucho más acotado".

Todo, aclara con énfasis, dentro de una "segunda etapa", porque se están puliendo aspectos de la obra entrega hace un mes y, por ejemplo, "la cineteca se inaugura alrededor del 10, 11 de marzo".



Foto: El Centro Cultural Palacio de La Moneda se une a las plazas de la Constitución y de la Ciudadanía para rediseñar el entorno de la sede del Ejecutivo. (Foto: C.C. Palacio de La Moneda)


"En todos estos espacios que son tan grandes y en un país que no tiene todos los recursos que quisiéramos, es importante hablar de etapas, porque esa es nuestra realidad y también es bueno que así sea, porque así uno va decantando y haciendo marchar con calma, para poder sondear cómo se comporta el espacio", redondeó Morgana Rodríguez

Cuándo ir, cuánto cuesta   

El edificio del Centro Cultural Palacio de la Moneda consta de tres niveles, todos bajo tierra, con accesos peatonales -que contemplan a discapacitados- por las calles Morandé y Teatinos, a un costado de la sede del Ejecutivo.

Además, hay estacionamientos a los que se puede ingresar por Alameda, casi al llegar a Teatinos.  

Todo el recinto se puede visitar en forma gratuita, pero por "un tema de control de acceso", la muestra "México: Del cuerpo al cosmos" tendrá un valor de lunes a sábado, pero los días domingo habrá una "entrada popular", a cambio de una donación voluntaria.

El detalle de las muestras y horarios es:

Nivel -1

"Expo Artesanías 2006", de lunes a domingo, 10:00 a 21:00 horas.

Tienda Fundación Artesanías de Chile, lunes a domingo, 10:00 a 21:00 horas.

Entrada gratuita.  

Nivel -2

Sala de cine, ciclo mexicano "Los hijos de los clásicos", funciones de lunes a domingo a las 13:00, 16:00 y 20:00 horas.

Entrada general: 1.200 pesos; estudiantes y tercera edad: 600 pesos.

Nivel -3

Salas de exposición: "México: Del cuerpo al cosmos", de martes a domingo, 10:00 a 21:00 horas.

Entrada general: 600 pesos; estudiantes, tercera edad y convenios: 300 pesos.

Niños menores de cinco años, entrada liberada.

Domingo, entrada liberada con donación voluntaria.  

Galerías de exposición, lunes a domingo, 12:00 a 20:00 horas.

Entrada liberada.  

Centro de Documentación de las Artes, lunes a domingo, 12:00 a 20:00 horas.

Entrada liberada.

Para el segundo semestre de 2006 se están coordinando tres muestras, una a cargo del curador cubano Gerardo Mosquera, quien se apresta a editar un libro que repasa los últimos 30 años de artes visuales chilenas.

Además, Morgana Rodríguez explicó que se busca agendar la muestra "Del otro lado", una retrospectiva de arte femenino "desde Rebeca Matte, pasando por Matilde Pérez, hasta Catalina Pudrí, toda la gama completa y curada por otra mujer, que sería Cecilia Brunson"; así como la exposición con las obras que integran el Museo de la Solidaridad Salvador Allende. (Cooperativa.cl)

Fuente: Raúl Martínez rmartinez@cooperativa.cl  Radio Cooperativa, Chile, 26 de enero de 2006

Enlace: http://www.cooperativa.cl/p4_noticias/antialone.html?page=http://www.cooperativa.cl/p4_noticias/site/artic/20060124/pags/20060124221022.html




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Hallazgo en la selva abre nuevo capítulo de la historia Maya

Publicado en América el 17 de Enero, 2006, 10:34 por terraeantiqvae

Naachtun, Guatemala. Hallazgo en la selva

 abre nuevo capítulo de la historia Maya





Fuente: Copyright © 1996-2005 Amazings.com, 13 de enero de 2006

Enlace: http://www.amazings.com/ciencia/noticias/130106b.html


20060117125348-naachtun.jpg



Se ha descubierto el más antiguo retrato conocido de una mujer maya tallado en piedra. El hallazgo demuestra que las mujeres ostentaron posiciones de autoridad en épocas muy tempranas de la historia maya, como reinas o deidades.






El descubrimiento fue hecho por una arqueóloga de la Universidad de Calgary y su equipo internacional de investigadores en Guatemala, concretamente en el yacimiento arqueológico de Naachtun, una ciudad maya localizada a unos 90 kilómetros al norte, y a través de una densa selva, de la ciudad maya más famosa: Tikal. La cara de la mujer, tallada en un tipo de monumento de piedra denominado estela, y en un estilo artístico nunca antes visto, sugiere que las mujeres desempeñaron papeles significativos en la política maya más arcaica.





"He trabajado en la cultura maya durante mucho tiempo y nunca he visto algo como esto", declara la Dra. Kathryn Reese-Taylor, directora del proyecto Naachtun dirigido por la Universidad de Calgary. "Tenemos imágenes de reinas que gobernaron tanto individualmente como junto a sus maridos o hijos, representadas en estelas posteriores en la historia maya de principios del siglo VI dC. Pero esta estela es del todo única en su estilo, y data probablemente

del siglo IV dC".





La mujer podría ser una figura de la historia maya, pero los investigadores se encuentran tentados de creer que podría tratarse de una figura mítica. Las inscripciones jeroglíficas del período Clásico Tardío (600-900 dC) mencionan a deidades femeninas, pero ninguna ha sido descubierta en una estela. "Si ésta es una deidad, entonces es sumamente rara", afirma Reese-Taylor. "Cuando los textos jeroglíficos mencionan a las mujeres, normalmente sucede por ser la madre o la esposa de alguien".



La estela mide dos metros de alto, un metro de ancho y 50 centímetros de espesor. Fue enterrada por los mayas dentro de un antiguo edificio, después de que su ciudad fue atacada y las inscripciones en la estela borradas por las fuerzas invasoras. El entierro fue un acto reverencial con el objetivo de honrar a la personalidad cuya imagen se talló en el monumento. El entierro de un niño acompañó a la estela.



La Dra. Julia Guernsey, profesora de Historia del Arte Precolombino de la Universidad de Texas en Austin, dice que el género femenino de la figura retratada en la estela es indiscutiblemente significativo.





De hecho, si este personaje fue una mujer histórica, ello implica que su retrato precede en más de cien años a otras representaciones conocidas en estelas de mujeres poderosas de las Tierras Bajas Clásicas Mayas. También significa que existe la necesidad de reevaluar el papel y el estatus de las mujeres dentro de la dinámica política de la época clásica temprana de los mayas.





Otros codirectores del proyecto son el Lic. Guillermo Martín Rangel, de la Universidad de San Carlos, Guatemala; el Dr. Peter L. Mathews, de la Universidad de La Trobe, Australia; y la Dra. Debra Selsor Walker, de la Universidad Internacional de Florida.


 


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Fuente: Copyright © 1996-2005 Amazings.com, 13 de enero de 2006

Enlace: http://www.amazings.com/ciencia/noticias/130106b.html

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Jungle discovery opens new chapter in Maya history

December 5, 2005

A University of Calgary archaeologist and her international team of researchers have discovered the earliest known portrait of a woman that the Maya carved into stone, demonstrating that women held positions of authority very early in Maya history – either as queens or patron deities.

drawingThe discovery was made earlier this year in Guatemala at the site of Naachtun, a Maya city located some 90 kilometres through dense jungle north of the more famous Maya city of Tikal. The woman"s face, carved on a stone monument called a stela [STEE-la] – and in an artistic style never before seen – suggests women played significant roles in early Maya politics.

"I"ve worked in the Maya area a long time and I"ve never seen anything like it," says Dr. Kathryn Reese-Taylor, the director of the U of C-led Naachtun project. "We have images of queens, who ruled both singly and with their husbands or sons, depicted on stelae later in Maya history beginning in the early 6th century AD. But this stela is completely unique in style and likely dates to the 4th century AD."

The woman could be a figure from Maya history, but researchers are tantalized by the possibility she might be a mythical figure. Hieroglyphic inscriptions of the Late Classic period (600-900 AD) mention female deities, but none have ever been discovered on a stela. "If this is a patron deity, then it is extremely rare," Reese-Taylor says. "When hieroglyphic texts do mention women, it is usually in the context of being either someone"s mother or someone"s wife."

first viewThe stela measures two metres in height, one metre in width, and 50 centimetres in depth. It was buried by the Maya inside an ancient building after their city was attacked and the inscriptions on the stela were hacked off by the invading forces. The burial was a reverential act meant to honour the individual whose image was carved on the monument. An infant"s burial accompanied the stela.

"This represents an extraordinary event in the history of Naachtun and we were really lucky to find it," Reese-Taylor says.

Dr. Julia Guernsey, a professor of Precolumbian Art History at the University of Texas at Austin, says the gender of the figure portrayed on the stela is unquestionably significant.

"If this individual was, indeed, a historical woman, it means that her portrait pre-dates other known stela representations of powerful women in the Classic Maya Lowlands by over a hundred years. It also means that we may need to re-evaluate the role and status of women within Early Classic Maya political dynamics," Guernsey says.

"The other fascinating aspect of the image, in my opinion, is its formal representation, or style. The fact that the body of the figure is completely absent and attention is focused on the head and headdress alone is very interesting and unusual."

Stela 26The co-directors of the project are Lic. Martin Rangel Guillermo, Universidad de San Carlos, Guatemala; Dr. Peter L. Mathews, La Trobe University, Australia; and Dr. Debra Selsor Walker, Florida International University.

Students from a number of universities participated in the project in 2005: Alejandra Alonso, a Ph.D. student from the University of Calgary, assisted Lic. Martin Rangel with the excavation of the stela. Ms. Alonso is also a conservator, so her expertise was invaluable for the subsequent conservation of the monument. Shawn Morton, a U of C MA student, is surveying and mapping Naachtun"s civic centre, which extends over two square kilometres.

Silvia Alvarado, a student at the University of San Carlos, directed excavations in one of the earliest public buildings at the site. Ernesto Arredondo, a PhD student from La Trobe University, is investigating the defensive fortifications at Naachtun as a part of his dissertation research. Chris Morehart, a PhD student from Northwestern University, is directing the study of the settlement surrounding Naachtun's civic centre. Fernando Rochaix, PhD student from the University of Texas at Austin, directed the laboratory analysis and served as the project photographer during the 2005 season.

Reese-Taylor and her team first began fieldwork in Naachtun in 2002 and are undertaking the first scientific excavations of the site. Co-director Martin Rangel actually discovered the stela peeking out from a looter's trench at the end of the 2004 season and excavated it in the spring of 2005.

Project sponsors include: the Social Sciences and Humanities Research Council of Canada, the University of Calgary, La Trobe University, the Mesoamerica Center, the University of Texas at Austin, and Radius Gold, Inc.

For more information, see: www.ucalgary.ca/~naachtun/.

Print quality pictures and two 30-second Quicktime video clips (320 x 240) are available at: http://www.ucalgary.ca/news/dec05/naachtun/pics/index.html.

Dr. Reese-Taylor can be reached at (403) 220-6369, or by arrangement through Greg Harris, Media Relations, (403) 220-3506, or cell (403) 540-7306.


© 2005 Naachtun Archaeological Project


The Naachtun Archeological Project is a multi-disciplinary research project that merges archaeological investigations with environmental conservation and economic development in the tropical forest of northern Guatemala.

The ancient Maya city of Naachtun is still one of the most remote sites in the Yucatan peninsula, and one of the least known of all major Classic Maya centres. The site was re-discovered in 1922 by Sylvanus Morley, who named it Naachtun,"Distant Stone" because of its inaccessibility. Sadly, however, even though Naachtun is extremely isolated, most of the major mounds have been pitted and trenched by looters. The Naachtun Archaeological Project, which commenced in 2002, is undertaking the first scientific excavations of the site.


Preclassic


Although presently considered a very remote place, during the Late Pre-Classic (400 BC - AD 150) and Classic Maya period (AD 150 - 900), Naachtun was very much in the thick of things. Naachtun lies on the northeastern edge of the Mirador Basin, a broad area approximately 40 km. in diameter, where the earliest development of complex society in the Maya area took place.

Many of the great cities in the Mirador Basin did not survive the end of the Preclassic period; Naachtun was one of the few, apparently, that did. This transition from the Late Preclassic to the Classic period equals in complexity the Maya "collapse", yet its causes and immediate aftermath remain elusive.

Because if its successful navigation through this transition period, Naachtun is the key to understanding the changes that took place during the Preclassic-to-Classic shift.

Early Classic


But Naachtun did more than merely survive these tumultuous events, apparently it thrived. The Early Classic period (AD 150-600) was one of exponential growth at Naachtun. Indeed, the size of the Classic period city, the grandeur of its temples and palaces, and the presence of over 26 carved stelae indicate that Naachtun grew to be the centre of a powerful kingdom.

The presence of an "Emblem Glyph", which includes the ancient name of the kingdom and the identification of it "Divine Lord", would provide direct evidence for this. However, lacking this important piece of information, Naachtun remains an anonymous participant in the political developments of the Classic period.


Late Classic


However, the actions of Naachtun's rulers must have been a significant factor in the political ploys of other Maya kings, as the ancient kingdom lay directly between Tikal and Calakmul, the two greatest cities in the ancient Maya world. Considered the two "superpowers" of the Classic Maya, Calakmul and Tikal formed large confederacies and fought major wars, both directly against each other and "by proxy".

Situated between these two formidable kingdoms, Naachtun held not only a strategic position, but also a vulnerable one in an environement of endemic warfare. The control of Naachtun must have been seen as a necessary prologue to any concerted attempt by the kings of Tikal and Calakmul to launch an attack against the other.

Yet, despite the incessant strife, Naachtun continued to thrive as the capital of a powerful city-state until its demise in circa 830.



Because of its strategic location and long history, Naachtun is one of the most important and least known sites in the Maya area. In order to shed light on this significant, yet enigmatic kingdom, the Naachtun Archaeological Project, a multi-year, multi-disciplinary program of research, was launched in 2002.

The Naachtun Archaeological Project merges archaeological investigations with environmental conservation and economic development in the tropical forest of northern Guatemala. Archaeological development of the Classic Maya site of Naachtun can contribute directly to the preservation of Naachtun-Dos Lagunas Biosphere as a pristine rainforest environment. In addition, the on-going research and development of Naachtun will provide a foundation for sustainable ecotourism in the area.

Specific research questions of the Naachtun Archaeological Project include:

  • Why did Naachtun survive the cultural and political collapse which occurred at the end of the Late Preclassic (100 BC-AD 150), when most of its nearest neighbours did not?
  • What was the basis for Naachtun's subsequent growth during the Early Classic (AD 150-600)?
  • Was Naachtun implicated in the warfare that was virulent during the Late and Terminal Classic periods (AD 600-900)?
  • Because of its position at the nexus of three distinct culture areas, did Naachtun serve as a cultural or economic crossroads?
  • What caused the abandonment of this once-great city?


The initial season of investigations at Naachtun revealed that the civic center was founded between 100 BC and AD 150, however, its period of greatest growth appears to have been between AD 150 and 300, the initial stages of the Early Classic period. During this period, most of Group A was constructed, as well as a large 15 m tall structure (La Perdida) situated between Group A and C. In addition, Structures I and V in Group C underwent large scale modifications during this period. Finally, the presence of looted tombs, stelae, and large elaborate buildings in Groups A and C point to the development of a successful, independent polity during this period.

Our second season of investigations focused on this early period of growth. We were specifically interested in addressing questions regarding the foundation of the city-state in this region and the role that warfare played in the Naachtun's fortunes during the Early Classic.


Survey


Excavations


Epigraphy


Artifact Analysis


Preliminary Pottery Type List, 2004


Protecting the Naachtun-Dos Lagunas Biosphere

The site of Naachtun lies at the heart of the largest continuous tropical forest canopy in Peten, Guatemala. Situated within the Naachtun-Dos Lagunas Biosphere, the ruins of Naachtun are located just one kilometer south of the Mexican border. The mature tropical canopy sheltering the site is pristine, having been uninhabited for nearly a millennium. The majestic trees that cover the ruins are also home to a myriad of vulnerable rainforest species. Many of these species are on the endangered list, such as the jaguar and Mantled Howler and spider monkeys. In Guatemala alone, 50 to 75 percent of the rainforest has been clear-cut or burned in the last 15 years. Those animals not killed outright are left with no natural habitat. Conservation of the cultural resources insures the continued preservation of large tracts of natural tropical forest habitat.


 


 

In the center of a swath of protected rainforest that stretches across the northern limits of Guatemala, the Naachtun-Dos Lagunas Biosphere is on the front lines of an effort to secure and stabilize existing forest for sustainable economic development through tourism. Tropical rainforest areas of the Peten, today, are under substantial pressure, both from local population growth and invaders coming in from Mexico. Naachtun, as the major archaeological site in this area, is pivotal to all strategic plans for conservation and development in the northern Peten. Therefore, the Naachtun Archaeological Project is working the Guatemalan government, NGOs, and local communities to conserve the natural and cultural resources in the region.


Articles and Book Chapters


Mathews, Peter, Kathryn Reese-Taylor, Marcelo Zamora, and Alexander Parmington.
2005 Los Monumentos de Naachtun, Peten.In XVIII Simposio de Investigaciones Arqueológicas en Guatemala, 2004, edited by Juan Pedro LaPorte, Bárbara Arroyo, and Héctor E. Mejía, pp. 691-696. Ministerio de Cultura y Deportes, Instituto de Antropología e Historia, Asociacíon Tikal, and Foundation for the Advancement of Mesoamerican Studies, Inc, Guatemala City.

Reese-Taylor, Kathryn, Peter Mathews, Marcelo Zamora Mejía, Debra Walker, Martin Rangel, Silvia Alvarado, Ernesto Arredondo, Shawn Morton, Alex Parmington, Roberta Parry, Baudilio Salazar, and Jeff Seibert.
2005 Proyecto Arqueológico Naachtun: Resultados Preliminares de la Primera Temporada de Campo 2004. In XVIII Simposio de Investigaciones Arqueológicas en Guatemala, 2004, edited by Juan Pedro LaPorte, Bárbara Arroyo, and Héctor E. Mejía, pp. 91-100. Ministerio de Cultura y Deportes, Instituto de Antropología e Historia, Asociacíon Tikal, and Foundation for the Advancement of Mesoamerican Studies, Inc, Guatemala City.

Walker, Debra Selsor
2004 Exploring Naachtun. Institute of Maya Studies Newsletter, Vol. 33:11, pp. 1,5-6. Miami Musuem of Science, Miami.


Reports


Reese-Taylor, Kathryn, Marc Zender and Ernesto Arredondo.
2002 The 2002 Naachtun Reconnaissance Report. Report submitted to the Instituto Nacional de Antropología e Historia, Guatemala City, Guatemala.


Conference Papers


Reese-Taylor, Kathryn, Peter Mathews, Julia Guernsey, and Marlene Fritzler.
2005 "Warrior Queens Among the Classic Maya." Paper presented at the 70th Annual Meeting of the Society for American Archaeology, March 30-April 3, Salt Lake City, UT. and at the 2004 Chacmool Conference: Que(e)rying Archaeology, the 15th Anniversary Gender Conference, November 11-14, Calgary, AB.

Reese-Taylor, Kathryn, Martin Rangel, Debra Selsor Walker, David Stuart, Peter Mathews, Alejandra Alonso, Silvia Alvarado, Ernesto Arredondo, Chris Morehart, Shawn Morton, and Fernando Rochaix.
2005 "Resultados de Investigaciones en 2005: el Período Clásico Temprano de Naachtun." Paper to be presented at the XIX Simposio de Investigaciones Arqueológicas en Guatemala, July 18-22, Guatemala City.

Walker, Debra Selsor, Kathryn Reese-Taylor, and Peter Mathews.
2005 "Después del la Caída: El Despertar del Período Clásico." Paper to be presented at the XIX Simposio de Investigaciones Arqueológicas en Guatemala, July 18-22, Guatemala City.

Mathews, Peter, Kathryn Reese-Taylor, Marcelo Zamora Mejía, and Alexander Parmington.
2004 "Historia de las investigaciones epigráficas en Naachtun." Paper presented at the XVIII Simposio de Investigaciones Arqueológicas en Guatemala, July 15-19, Guatemala City.

Reese-Taylor, Kathryn, Peter Mathews, Marcelo Zamora Mejía, Silvia Alvarado, Ernesto Arredondo, Shawn Morton, Jason Parmington, Roberta Parry, Martin Rangel, Baudilio Salazar, and Jeff Seibert.
2004 "Proyecto Arqueológico Naachtun: Resultados Preliminares de la Primera Temporada de Campo 2004." Paper presented at the XVIII Simposio de Investigaciones Arqueológicas en Guatemala, July 15-19, Guatemala City.

Reese-Taylor, Kathryn, Peter Mathews, Ernesto Arredondo Leiva, and Marc Zender.
2003 "Naachtun: Un Cuidad Clasico de los Mayas." Paper presented at the XVII Simposio de Investigaciones Arqueológicas en Guatemala, July 21-25, Guatemala City.


Internet Articles


Reese-Taylor, Kathryn, Peter Mathews, Marc Zender, and Ernesto Arredondo Leiva.
2003 "Naachtun: A Lost City of the Maya". Web Article, BBC History Television website,
http://www.bbc.co.uk/history/archaeology/maya_naachtun_01.shtml


Recommnded Reading


GENERAL BOOKS

The Maya. Seventh edition. (2005) Michael Coe. Thames and Hudson.

Chronicle of Maya Kings and Queens. (2000) Simon Martin and Nikolai Grube. Thames and Husdon.

Breaking the Maya Code. Revised edition. (1999) Michael D. Coe. Thames and Hudson.

Code of Kings. (1999) Linda Schele and Peter Mathews. Scribner.

Popol Vuh. (1996) Dennis Tedlock. Touchstone.

Maya Cosmos. (1995) David Freidel and Linda Schele. Harper Paperbacks.

The Ancient Maya. Fifth edition. (1994) Robert Sharer. Stanford University Press.

Maya Civilization. (1993) T. Patrick Culbert. Smithsonian Institution Press.

Forst of Kings. (1992) Linda Schele and David Freidel. Harper Perennial.

Blood of Kings. Reprint edition. (1992) Linda Schele and Mary Miller. George Braziller.


Internet Resources


Boundary End Archaeology Research Center

Canadian Society for Mesoamerican Studies

FAMSI, The Foundation for the Advancement of Mesoamerican Studies, Inc.

The Mesoamerican Center, University of Texas at Austin

Mesoweb

Museo Popol Vuh, Universidad Francisco Marroquín

ParksWatch, Center for Tropical Conservation, Duke University

Wayeb, The European Association of Mayanists



Naachtun: A Lost City of the Maya


 

By Kathryn Reese-Taylor, Peter Mathews,

Marc Zender and Ernesto Arredondo Leiva

Fuente: http://www.bbc.co.uk/history/archaeology/maya_naachtun_01.shtml

Excavations in the Guatemalan jungle have revealed the tantalising remains of a Mayan city, seemingly abandoned at the height of its powers. Kathryn Reese-Taylor takes up the search to discover the lost city of Naachtun.


An abandoned city


A Maya temple from Tikal 



A Maya temple from Tikal ©

The Maya of the Classic period, which begins at approximately AD 250, lived in an area that now includes Guatemala, Chiapas and the Yucatan Peninsula in Mexico, western Honduras, Belize, and El Salvador. The Classic period Maya were organised into numerous small city-states, each with their own king. Within the large cities that served as the capitals of these kingdoms, the Mayan people erected grand public buildings, including palaces and temples, large plazas, and reservoirs to collect water. They also recorded history in hieroglyphic writing, which was carved onto stone monuments called 'stelae', and documented events in the lives of their kings. However, the Classic period was also plagued by continuing warfare between the various kingdoms and their allies. Ultimately the endemic warfare was an important factor in the downfall of the Classic period Maya, that resulted in the abandonment of most cities and their surrounding territories by AD 900.

'...control of the city must have been seen as a necessary prologue to any attempt by Tikal or Calakmul to attack the other.'

The ancient city of Naachtun is situated in the heart of the Maya region, just one kilometre south of the Mexican border, in far northern Guatemala. It was rediscovered by western archaeologists in 1922, and remains one of the most remote sites in the Maya area. In fact, it has been the subject of only a few fleeting visits over the past 80 years.

Despite its present-day isolation, however, Naachtun was very much in the thick of things during the Classic period (AD 250-900). The site lies about 44km (27 miles) south-south-east of Calakmul, and 65km (40 miles) north of Tikal - these being the two 'superpowers' of the Classic Maya world. Lying directly between two such powerful entities, Naachtun held not only a strategic position, but also a vulnerable one during the frequent wars of the time, and control of the city must have been seen as a necessary prologue to any attempt by Tikal or Calakmul to attack the other.




Wartime affiliations


Map showing layout of a group B of Naachtun 



The layout of an area of Naachtun ©

The dates recorded on the Naachtun monuments span a period from AD 504 to 762, suggesting that the city flourished for most of the Classic period. Yet because of its geographical position, Naachtun was tied either to Tikal or Calakmul for much of its existence, changing its affiliation several times during its history.

Naachtun's central position and fluctuating political affiliation can be deduced from the architectural diversity found at the site. Buildings in the Tikal tradition are evident in the main plaza, while the extensive, rambling, elite residential section of Naachtun is reminiscent of the Calakmul palace precinct.

However, another building at Naachtun (Structure XXXIX on the map) is built in yet another style - constructed with cut-stone masonry that is characteristic of Río Bec architecture. This is a widespread architectural style that is found across the region to the north of Naachtun. This array of architectural influences, probably reflecting the site's shifting political affiliations and regional connections, makes Naachtun one of the most interesting of all Classic Maya sites for study.




History of investigations


Scene from a reconstruction of a Mayan ritual 



Many ceremonial sites have been found at Naachtun 

Naachtun was rediscovered by the archaeologist Sylvanus Morley, of the Carnegie Institution of Washington, on 3 May 1922. Morley had heard of the site from a chiclero - a person who collects sap, used for making chewing gum, from chicle trees - named Alfonso Ovando, who first saw the site in 1916. Morley and a Filipino photographer, Juan Sopeña, subsequently spent a total of seven days at the site, where they investigated many of the standing buildings and discovered 19 of Naachtun's 40+ stelae.

'They... realised that Nohoxna and Naachtun were in fact one and the same place.'

Morley named the large Maya city Naachtun because of the site's extreme inaccessibility (naach meaning 'far' and tun meaning 'stone', in Mayan). In fact Naachtun is still one of the most remote sites in the Yucatan peninsula, and one of the least known of all major Classic Maya centres.

The next western visitor to Naachtun was Cyrus Lundell, who reached the site on 5 January 1932. He spent three days exploring and mapping it, in the company of one Garcia, a chiclero guide. He also discovered eight new stelae. But while Morley and company had reached Naachtun from the south, Lundell had reached it from the north, and mistakenly thought he had found a new site about 20km (12 miles) north of the Mexico-Guatemala border. He named the supposedly new site 'Nohoxna'.

In 1933, thinking that Lundell had discovered a new site, the Carnegie Institution of Washington sent an expedition into southern Mexico to find and document it. This expedition, whose members were Karl Ruppert, John H Denison Jr and JP O'Neill, spent 12 days there in May 1933. They discovered many new stelae, as well as several new buildings, and O'Neill completed the map of the site that is in use today. It was only when Ruppert, Denison and O'Neill returned from the field and compared their photos with those from Morley's earlier expedition that they realised that Nohoxna and Naachtun were in fact one and the same place.



Gathering the evidence


Marc Zender examines a building at Naachtun


Marc Zender examines a building at Naachtun ©